Entrée en matière: correspondance 1961-1985 : textes 1961-2014
Damisch, Hubert
Kurzformat
Entrée en matière : correspondance 1961-1985 : textes 1961-2014 / Hubert Damisch, Jean Dubuffet ; édition établie, présentée et annotée par Sophie Berrebi - Zürich , [2016]
204 Seiten : Illustrationen
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Zürich, ZB, Verlagsbucharchiv, VAR 142: 2016:6
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Zürich, ZB, 2016 A 27116
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| 490 | 0 | |a Lectures maison rouge | |
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| 520 | |a French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961the year Damisch published his first essay on Dubuffetand 1985when the latter died. "Entrée en matière" gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence: one is able to follow how the thinking on a living artist could be inspired by a close relationship with him, but also by philosophy, human sciences, and other artists' oeuvres; and how in addition this thinking could evolve once the dialogue becomes a tribute monologue after the artist's death. Jean Dubuffet (19011985) is one of the main figures of postwar art, famous for his radical experimentation with form and material from the 1940s to the mid-1960s, his landmark bodies of later works such as "LHourloupe" (19621974) and "Coucou Bazar" (1973), his provocative thinking about high and low culture, and his advocacy for Art Brut artists. A philosopher specialized in aesthetics and art history, Hubert Damisch (b. 1928) is known for his essays on perspective, the theory of painting, and architecture. He edited the complete writings of Jean Dubuffet in four volumes between 1967 and 1985. Illustrated by Dubuffet' artworks and facsimiles of his correspondence, the volume is introduced and edited by art historian and curator Sophie Berrebi, a member of the editorial board of the academic journal "Stedelijk Studies," which publishes widely on contemporary art. | ||
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Basisinformationen
Signatur:
-
Zürich, ZB, Verlagsbucharchiv, VAR 142: 2016:6
-
Zürich, ZB, 2016 A 27116
Ressourcentyp:
Alte Drucke und Rara
Titel:
Entrée en matière: correspondance 1961-1985 : textes 1961-2014 / Hubert Damisch, Jean Dubuffet ; édition établie, présentée et annotée par Sophie Berrebi
Erscheinungsangaben:
Zürich, jrp Ringier, [2016]
Physische Beschreibung:
-
204 Seiten: Illustrationen
Serie:
Lectures maison rouge
Inhalt und innere Ordnung
Inhalt:
-
French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961the year Damisch published his first essay on Dubuffetand 1985when the latter died. "Entrée en matière" gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence: one is able to follow how the thinking on a living artist could be inspired by a close relationship with him, but also by philosophy, human sciences, and other artists' oeuvres; and how in addition this thinking could evolve once the dialogue becomes a tribute monologue after the artist's death. Jean Dubuffet (19011985) is one of the main figures of postwar art, famous for his radical experimentation with form and material from the 1940s to the mid-1960s, his landmark bodies of later works such as "LHourloupe" (19621974) and "Coucou Bazar" (1973), his provocative thinking about high and low culture, and his advocacy for Art Brut artists. A philosopher specialized in aesthetics and art history, Hubert Damisch (b. 1928) is known for his essays on perspective, the theory of painting, and architecture. He edited the complete writings of Jean Dubuffet in four volumes between 1967 and 1985. Illustrated by Dubuffet' artworks and facsimiles of his correspondence, the volume is introduced and edited by art historian and curator Sophie Berrebi, a member of the editorial board of the academic journal "Stedelijk Studies," which publishes widely on contemporary art.
Identifikatoren
Systemnummer:
991152734649705501
Andere Systemnummer:
-
(swissbib)20225089X-41slsp_network
-
20225089X
-
(NEBIS)010609780EBI01
-
(EXLNZ-41SLSP_NETWORK)991152734649705501
-
(41SLSP_UZB)990106097800205508