It's proof that counts

Black, Karla
Kurzformat

It's proof that counts / Karla Black ; [ed.: Annette Hans ... et al.] ; [transl. from German: Ishbel Flett] ; [transl. from English: Bettina Steinbrügge] - Zurich, Zürich , 2010
192 p. : tout en ill. en coul. ; 22 x 31 cm
  • Zürich, ZB, Verlagsbucharchiv, VAR 142: 2010:6

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500 |a Ausstellungen, Migros Museum für Gegenwartskunst Zürich, 16. Mai bis 16. August 2009, Kunstverein Hamburg, 4.7. -6.9.2009, ... etc. - Direktor Kunstverein Hamburg: Florian Waldvogel. - Text engl. und dt. 
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Basisinformationen

Signatur:
  • Zürich, ZB, Verlagsbucharchiv, VAR 142: 2010:6
Ressourcentyp:
Alte Drucke und Rara
Digitalisat:
Titel:
It's proof that counts / Karla Black ; [ed.: Annette Hans ... et al.] ; [transl. from German: Ishbel Flett] ; [transl. from English: Bettina Steinbrügge]
Erscheinungsangaben:
Zurich, Zürich, JRP-Ringier: Migros Museum für Gegenwartskunst, 2010
Physische Beschreibung:
  • 192 p.: tout en ill. en coul.; 22 x 31 cm

Sucheinstiege

Person:

HerausgeberIn

GeistigeR SchöpferIn / AktenbildnerIn

Körperschaft:
Ort:
Alternativtitel:
Thema - Zeit / Zeitspanne:

Inhalt und innere Ordnung

Inhalt:
  • Tiré du site Internet de JRP/Ringier: "This extensive monograph gives, for the first time, a detailed insight into the work of Scottish artist Karla Black (*1972 in Alexandria, lives and works in Glasgow). Reflecting the ephemeral nature of her work, the monograph resembles an artist's sketchbook that is still in the process of being used. Plaster, chalk dust, and Vaseline, or substances such as face powder, lipstick, and nail varnish are often the raw materials. These delicate works - whether transparent cellophane arranged sculpturally to hang from the ceiling, or fragile works of gossamer-fine powder sprinkled onto the floor - present references to the Minimal and Conceptual art of the 1960s and 1970s. Karla Black extends the classical notion of sculpture through a process-oriented, performative handling of cultural connotations and untypical materials. Not only does she create an oppositional model to the brute effect of Minimal art, but through the use of unstable and simple substances her work ties into the history of "anti form," as defined notably by Robert Morris in his use of felt, or Eva Hesse in her deployment of latex."; RERO/gevbaa/07.2010

Anmerkungen

Allgemeine Anmerkung:
Livre d'artiste
Katalog zur Ausstellung, Migros Museum für Gegenwartskunst Zürich, 16.5.-16.8.2009 ...
Ausstellungen, Migros Museum für Gegenwartskunst Zürich, 16. Mai bis 16. August 2009, Kunstverein Hamburg, 4.7. -6.9.2009, ... etc. - Direktor Kunstverein Hamburg: Florian Waldvogel. - Text engl. und dt.
Text engl. und dt.
Sprache, Schrift:
Englisch, Deutsch
ISBN:
9783037640845

Identifikatoren

Systemnummer:
991125684469705501
Andere Systemnummer:
  • (swissbib)218005865-41slsp_network
  • 218005865
  • (RERO)R005474650-41slsp
  • (IDSLU)000990433ILU01
  • (NEBIS)006023331EBI01
  • (IDSBB)004874908DSV01
  • (EXLNZ-41SLSP_NETWORK)991125684469705501
  • (41SLSP_UZB)990060233310205508
Quelle: