Two Mexico City choirbooks of 1717: an anthology of sacred polyphony from the Cathedral of Mexico
Kurzformat
Two Mexico City choirbooks of 1717 : an anthology of sacred polyphony from the Cathedral of Mexico / transcription and commentary by Steven Barwick - Carbondale, Edwardsville , 1982
1 Partitur (XLVIII, 165 Seiten) : Faksimiles ; 24 cm
-
Bern, UB Mittelstrasse, MU XA mo 1982/2
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| 008 | 120319s1982 xxu||u ||||||n | eng| | ||
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| 245 | 0 | 0 | |a Two Mexico City choirbooks of 1717 |b an anthology of sacred polyphony from the Cathedral of Mexico |c transcription and commentary by Steven Barwick |
| 250 | |a 1st edition | ||
| 264 | 1 | |a Carbondale |a Edwardsville |b Southern Illinois University Press |c 1982 | |
| 300 | |a 1 Partitur (XLVIII, 165 Seiten) |b Faksimiles |c 24 cm | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 348 | |a Partitur |2 gnd-music | ||
| 348 | |a partition |2 gnd-music/fre | ||
| 348 | |a partitura |2 gnd-music/ita | ||
| 500 | |a Transcription of the ms. Departamento XXIX, oficina 71, obra 14 in the Mexico City Cathedral and the ms. Departamento XXIX, oficina 71, obra 24 formerly in the Cathedral, now in the Museo del Virreinato, Tepotzotlán, Mexico.--T.p. verso. Manuscripts copied by Simon Rodríguez de Guzmán.--Cf. p. ix. Chiefly for 4 voices, unaccompanied; also includes music for 5 or 8 voices, unaccompanied. Text includes some typographic errors. Sung Latin words also printed as text with English translation on p. xxx-xlvi; introduction in English. | ||
| 500 | |a Enthält Werke von: Antonio de Salazar, Manuel de Sumaya, Antonio Rodríguez de Mata, Francisco López Capillas | ||
| 520 | |a The Mexican music in this volume extends into the first quarter of the eighteenth century and contains the works of four composers: Antonio Rodriguez Mata, Antonio de Salazar, Miguel de Sumaya, and Francisco Lopez Capillas. The earliest of the four composers is Mata, who officially became chapelmaster of the Mexico City Cathedral in 1625. The two choirbooks, identified by their archival numbers, are Cathedral "Inventario: Departmento XXIX, Oficina 71, Obra No. 14 "and Cathedral "Inventario: Departmento XXIX. Oficina 71, Obra No. 24. "Both were transcribed by Simon Rodriguez de Guzman in 1717.""In preparing these transcriptions, which are intended for practical performance as well as for scholarly use, Barwick has shown how the music appeared in the original sources. Both choirbooks were written entirely in the conventional notation of the late sixteenth century. For this edition all note values have been reduced by one-half. The music has been transcribed from the choirbook format (soprano and alto parts in the upper portions of the book and tenor and bass parts in the lower) into a score at the original pitch. The original clefs and time and key signatures are provided at the beginning of each composition. For the transcription, modern clefs treble for soprano and alto, tenor (transposed treble) for tenor, and bass clef for the bass part have been used." | ||
| 700 | 1 | |a Barwick, Steven |e Transkribierer |e Kommentarverfasser |4 trc |4 wac | |
| 700 | 1 | |a Salazar, Antonio <<de>> |d 1650-1715 |0 (DE-588)1056677961 |e Komponist |4 cmp | |
| 700 | 1 | |a Zumaya, Manuel <<de>> |d 1678-1755 |0 (DE-588)137101759 |e Komponist |4 cmp | |
| 700 | 1 | |a Rodríguez Mata, Antonio |d -1643 |0 (DE-588)1022492381 |e Komponist |4 cmp | |
| 700 | 1 | |a López Capillas, Francisco |d 1615-1673 |0 (DE-588)128763043 |e Komponist |4 cmp | |
| 852 | 4 | |b B555 |c 555U1 |j MU XA mo 1982/2 |9 (41SLSP_UBE)99116751862505511 | |
| 912 | |a Part one. Cathedral inventario : departamento XXIX, oficina 71, obra 14. Adjuva nos Deus ; Miserere (1717) / Manuel de Sumaya -- De lamentatione Jeremiae. Feria sexta / Antonio Rodríguez de Mata -- De lamentatione Jeremiae. Sabbato sancto ; Christus factus est ; Miserere / Manuel de Sumaya -- Alleluia! Dic nobis Maria / Francisco López Capillas. Part two. Cathedral inventario : departamento XXIX, oficina 71, obra 24. Christum regem ; Sacris solemniis ; Magnificat primi toni ; Magnificat secundi toni ; Magnificat tertii toni / Manuel de Sumaya -- O sacrum convivium / Antonio de Salazar -- Confitebor tibi Domine : psalmus 137 ; Credidi propter quod locutus sum : psalmus 115 / Manuel de Sumaya | ||
| 949 | |c 555U1 |p 04 |j MU XA mo 1982/2 |b B555 |9 (41SLSP_UBE)99116751862505511 | ||
| 986 | |a (41SLSP_UBE)99116751862505511 |9 (41SLSP_UBE)99116751862505511 | ||
Basisinformationen
Signatur:
-
Bern, UB Mittelstrasse, MU XA mo 1982/2
Ressourcentyp:
Partitur
Titel:
Two Mexico City choirbooks of 1717: an anthology of sacred polyphony from the Cathedral of Mexico / transcription and commentary by Steven Barwick
Erscheinungsangaben:
Carbondale, Edwardsville, Southern Illinois University Press, 1982
Auflage / Ausgabenvermerk /Entstehungsstufe:
1st edition
Physische Beschreibung:
-
1 Partitur (XLVIII, 165 Seiten): Faksimiles; 24 cm
Inhalt und innere Ordnung
Inhalt:
-
The Mexican music in this volume extends into the first quarter of the eighteenth century and contains the works of four composers: Antonio Rodriguez Mata, Antonio de Salazar, Miguel de Sumaya, and Francisco Lopez Capillas. The earliest of the four composers is Mata, who officially became chapelmaster of the Mexico City Cathedral in 1625. The two choirbooks, identified by their archival numbers, are Cathedral "Inventario: Departmento XXIX, Oficina 71, Obra No. 14 "and Cathedral "Inventario: Departmento XXIX. Oficina 71, Obra No. 24. "Both were transcribed by Simon Rodriguez de Guzman in 1717.""In preparing these transcriptions, which are intended for practical performance as well as for scholarly use, Barwick has shown how the music appeared in the original sources. Both choirbooks were written entirely in the conventional notation of the late sixteenth century. For this edition all note values have been reduced by one-half. The music has been transcribed from the choirbook format (soprano and alto parts in the upper portions of the book and tenor and bass parts in the lower) into a score at the original pitch. The original clefs and time and key signatures are provided at the beginning of each composition. For the transcription, modern clefs treble for soprano and alto, tenor (transposed treble) for tenor, and bass clef for the bass part have been used."
Anmerkungen
Allgemeine Anmerkung:
Transcription of the ms. Departamento XXIX, oficina 71, obra 14 in the Mexico City Cathedral and the ms. Departamento XXIX, oficina 71, obra 24 formerly in the Cathedral, now in the Museo del Virreinato, Tepotzotlán, Mexico.--T.p. verso. Manuscripts copied by Simon Rodríguez de Guzmán.--Cf. p. ix. Chiefly for 4 voices, unaccompanied; also includes music for 5 or 8 voices, unaccompanied. Text includes some typographic errors. Sung Latin words also printed as text with English translation on p. xxx-xlvi; introduction in English.
Enthält Werke von: Antonio de Salazar, Manuel de Sumaya, Antonio Rodríguez de Mata, Francisco López Capillas
Sprache, Schrift:
Englisch
ISBN:
0809310651
Identifikatoren
Systemnummer:
991116539509705501
Andere Systemnummer:
-
(swissbib)073615412-41slsp_network
-
073615412
-
(IDSBB)006690494DSV01
-
(OCoLC)843331759
-
(EXLNZ-41SLSP_NETWORK)991116539509705501
-
(41SLSP_UBE)99116751862505511