Sam Falls

Falls, Sam
Kurzformat

Sam Falls / editor: Clément Dirié ; texts: Trinie Dalton, Donatien Grau, David Raskin - Zürich , [2018]
152 p. : ill. ; 29 cm
  • Zürich, ZB, 2018 C 11041
  • Zürich, ZB, Verlagsbucharchiv, VAR 142: 2018:9

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520 8 |a This first retrospective monograph of American artist Sam Falls (b. 1984, San Diego; lives in Los Angeles) spans his work from his beginnings in the 2000s to his most recent exhibitions. Following the traditions of Minimalism and Land art, while pursuing a path toward abstraction, his oeuvre has undoubtedly been influenced by nature and the Los Angeles environment in which he lives. His photographs, paintings, public installations, and sculptures display a certain poetry and a rare immediacy. Previously a student of physics, linguistics, and aesthetics, he has long pursued a particular interest in the way in which natural phenomenon such as light, rain, and wind might impact his abstract paintings and sculptures. The idea of a sublime deterioration, a controlled and predicted change on materials ranging from steel to cloth as well as others, creates time-based and hybrid work that forces the viewer to consider not only the final image, but, most importantly, the process of its change 
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Basisinformationen

Signatur:
  • Zürich, ZB, 2018 C 11041
  • Zürich, ZB, Verlagsbucharchiv, VAR 142: 2018:9
Ressourcentyp:
Alte Drucke und Rara
Digitalisat:
Titel:
Sam Falls / editor: Clément Dirié ; texts: Trinie Dalton, Donatien Grau, David Raskin
Erscheinungsangaben:
Zürich, JRP|Ringier, [2018]
Physische Beschreibung:
  • 152 p.: ill.; 29 cm

Sucheinstiege

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Inhalt und innere Ordnung

Inhalt:
  • This first retrospective monograph of American artist Sam Falls (b. 1984, San Diego; lives in Los Angeles) spans his work from his beginnings in the 2000s to his most recent exhibitions. Following the traditions of Minimalism and Land art, while pursuing a path toward abstraction, his oeuvre has undoubtedly been influenced by nature and the Los Angeles environment in which he lives. His photographs, paintings, public installations, and sculptures display a certain poetry and a rare immediacy. Previously a student of physics, linguistics, and aesthetics, he has long pursued a particular interest in the way in which natural phenomenon such as light, rain, and wind might impact his abstract paintings and sculptures. The idea of a sublime deterioration, a controlled and predicted change on materials ranging from steel to cloth as well as others, creates time-based and hybrid work that forces the viewer to consider not only the final image, but, most importantly, the process of its change

Anmerkungen

Sprache, Schrift:
Englisch
ISBN:
303764494X
9783037644942

Identifikatoren

Systemnummer:
991071686809705501
Andere Systemnummer:
  • (swissbib)212186582-41slsp_network
  • 212186582
  • (NEBIS)011247404EBI01
  • (IDSLU)001322677ILU01
  • (RERO)R008832923-41slsp
  • (DE-599)DNB1130796124
  • (OCoLC)975488085; (OCoLC)975894121; (OCoLC)976134566; (OCoLC)976331966; (OCoLC)978521799; (OCoLC)978786810; (OCoLC)979118720; (OCoLC)979278872; (OCoLC)979497336
  • (EXLNZ-41SLSP_NETWORK)991071686809705501
  • (41SLSP_UZB)990112474040205508
Quelle: