Vasco de Gama: Original version of L'Africaine (Die Afrikanerin) : Oper in fünf Akten
Meyerbeer, Giacomo
Kurzformat
Vasco de Gama : Original version of L'Africaine (Die Afrikanerin) : Oper in fünf Akten / Giacomo Meyerbeer ; Libretto: Eugène Scribe - Georgsmarienhütte , [2014]
4 disques compacts : stereo, DDD
-
Solothurn, ZB, ZBS CD 41145/1-4
-
Zürich, ZB, Musikabteilung, Ton F 8499
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| 511 | 1 | |a Claudia Sorokina (Sélika, Sklavin), Guibee Yang (Inés), Bernhard Berchtold (Vasco de Gama), Pierre-Yves Pruvot (Nélusko, Sklave), Kouta Räsänen (Don Pédro), Rolf Broman, (Der Grossinquisitor von Lissabon, Der Oberpriester des Brahma) ; Chor der Oper Chemnitz ; Robert-Schumann-Philarmonie ; Frank Beermann (Dirigent) | |
| 518 | |o Recorded |d 2013 February 4-7 |p Opernhaus Chemnitz, Germany | ||
| 520 | |a Meyerbeer called the opera completed by him four months prior to his death Vasco de Gama, but it came to be known to posterity as L'Africaine (The African Woman). Now how did this happen? Meyerbeer had been working on the opera since 1837, and L'Africaine was its original title. Eugène Scribe's libretto told the story of an African princess who unhappily falls in love with a Portuguese naval officer. After some initial enthusiasm Meyerbeer soon had his doubts about the subject. Years of revision and rejection followed. It was not until 1849, following Le Prophète, that he resumed his work on it. The Portuguese seafarer now became the historical explorer Vasco da Gama. Since he had discovered the sea route to India, the setting had to be transferred from Africa to India. As a result, Meyerbeer changed the opera's title: Vasco de Gama. The composer died prior to the rehearsals. The musicologist Joseph de Fétis subsequently examined the existing material, introducing some unfortunate changes and greatly abridging it. He was of the opinion that the work had to be presented to the music world with the title as promised: L'Africaine. And this meant that scenes featuring Indian worship of Brahma were set in Africa! The critical edition by Jürgen Schläder formed the basis of our studio production (here no live recording!) of the acclaimed Chemnitz production and now for the first time enables us to catch a glimpse of Meyerbeer's intentions | ||
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Basisinformationen
Signatur:
-
Solothurn, ZB, ZBS CD 41145/1-4
-
Zürich, ZB, Musikabteilung, Ton F 8499
Ressourcentyp:
CD / SACD
Titel:
Vasco de Gama: Original version of L'Africaine (Die Afrikanerin) : Oper in fünf Akten / Giacomo Meyerbeer ; Libretto: Eugène Scribe
Erscheinungsangaben:
Georgsmarienhütte, CPO, [2014]
Copyrightjahr:
℗ 2014
Physische Beschreibung:
-
4 disques compacts: stereo, DDD + 1 livret
Sucheinstiege
Person:
KomponistIn
SängerIn
LibrettistIn
DirigentIn
(weitere ohne Rolle)
Körperschaft:
InstrumentalmusikerIn
SängerIn
Inhalt und innere Ordnung
Inhalt:
-
Meyerbeer called the opera completed by him four months prior to his death Vasco de Gama, but it came to be known to posterity as L'Africaine (The African Woman). Now how did this happen? Meyerbeer had been working on the opera since 1837, and L'Africaine was its original title. Eugène Scribe's libretto told the story of an African princess who unhappily falls in love with a Portuguese naval officer. After some initial enthusiasm Meyerbeer soon had his doubts about the subject. Years of revision and rejection followed. It was not until 1849, following Le Prophète, that he resumed his work on it. The Portuguese seafarer now became the historical explorer Vasco da Gama. Since he had discovered the sea route to India, the setting had to be transferred from Africa to India. As a result, Meyerbeer changed the opera's title: Vasco de Gama. The composer died prior to the rehearsals. The musicologist Joseph de Fétis subsequently examined the existing material, introducing some unfortunate changes and greatly abridging it. He was of the opinion that the work had to be presented to the music world with the title as promised: L'Africaine. And this meant that scenes featuring Indian worship of Brahma were set in Africa! The critical edition by Jürgen Schläder formed the basis of our studio production (here no live recording!) of the acclaimed Chemnitz production and now for the first time enables us to catch a glimpse of Meyerbeer's intentions
Anmerkungen
Allgemeine Anmerkung:
Aufnahme: 2013
Vasco De Gamma est la version originale de "L'Africaine"
In Schuber
Beilage enth. franz. Libretto mit dt. u. engl. Übers.
Sprache, Schrift:
Gesungen in französisch ; deutsche und englische Übersetzung des Textes in Begleitheft
Darsteller:
Claudia Sorokina (Sélika, Sklavin), Guibee Yang (Inés), Bernhard Berchtold (Vasco de Gama), Pierre-Yves Pruvot (Nélusko, Sklave), Kouta Räsänen (Don Pédro), Rolf Broman, (Der Grossinquisitor von Lissabon, Der Oberpriester des Brahma) ; Chor der Oper Chemnitz ; Robert-Schumann-Philarmonie ; Frank Beermann (Dirigent)
Datum und Ort der Aufzeichnung:
Recorded; 2013 February 4-7; Opernhaus Chemnitz, Germany
Verlagsbestellnummer:
-
777 828-2; CPO
-
cpo 777 828-2
Identifikatoren
Systemnummer:
991033651959705501
Andere Systemnummer:
-
(swissbib)233268855-41slsp_network
-
233268855
-
(IDSBB)006574035DSV01
-
(IDSLU)001150707ILU01
-
(RERO)R007915071-41slsp
-
(IDSBB)007022608DSV01
-
(NEBIS)010174687EBI01
-
(OCoLC)880851882
-
(EXLNZ-41SLSP_NETWORK)991033651959705501
-
(41SLSP_UZB)990101746870205508
-
(41SLSP_ZBS)9970226080105528