The philosophy of lines: from Art Nouveau to cyberspace
Botz-Bornstein, Thorsten
Kurzformat
The philosophy of lines : from Art Nouveau to cyberspace / Thorsten Botz-Bornstein - Cham, Switzerland , [2021]
ix, 259 Seiten : Illustrationen ; 22 cm
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Bibliographie der Berner Geschichte, -
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| 264 | 1 | |a Cham, Switzerland |b Palgrave Macmillan |c [2021] | |
| 300 | |a ix, 259 Seiten |b Illustrationen |c 22 cm | ||
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| 500 | |a Betrifft unter anderem Paul Klee (Seiten 75-80) |2 B412 | ||
| 504 | |a Includes bibliographical references (pages 237-251) and index | ||
| 520 | |a This book offers a philosophical exploration of lines in art and culture, and traces their history from Antiquity onwards. Lines can be physical phenomena, cognitive responses to observed processes, or both at the same time. Based on this assumption, the book describes the "philosophy of lines" in art, architecture, and science. The book compares Western and Eastern traditions. It examines lines in the works of Paul Klee, Wassily Kandinsky, and Henri Michaux, as well as in Chinese and Japanese art and calligraphy. Lines are not merely a matter of aesthetics but also reflect the psychological states of entire cultures. In the nineteenth century, non-Euclidean geometry sparked the phenomenon of the "self-negating line," which influenced modern art; it also prepared the ground for virtual reality. Straight lines, distorted lines, blurred lines, hot and cold lines, dynamic lines, lines of force, virtual lines, and on and on, lines narrate the development of human civilization | ||
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Basisinformationen
Signatur:
-
Bibliographie der Berner Geschichte, -
Ressourcentyp:
Eintrag Berner Bibliographie
Titel:
The philosophy of lines: from Art Nouveau to cyberspace / Thorsten Botz-Bornstein
Erscheinungsangaben:
Cham, Switzerland, Palgrave Macmillan, [2021]
Physische Beschreibung:
-
ix, 259 Seiten: Illustrationen; 22 cm
Inhalt und innere Ordnung
Inhalt:
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This book offers a philosophical exploration of lines in art and culture, and traces their history from Antiquity onwards. Lines can be physical phenomena, cognitive responses to observed processes, or both at the same time. Based on this assumption, the book describes the "philosophy of lines" in art, architecture, and science. The book compares Western and Eastern traditions. It examines lines in the works of Paul Klee, Wassily Kandinsky, and Henri Michaux, as well as in Chinese and Japanese art and calligraphy. Lines are not merely a matter of aesthetics but also reflect the psychological states of entire cultures. In the nineteenth century, non-Euclidean geometry sparked the phenomenon of the "self-negating line," which influenced modern art; it also prepared the ground for virtual reality. Straight lines, distorted lines, blurred lines, hot and cold lines, dynamic lines, lines of force, virtual lines, and on and on, lines narrate the development of human civilization
Anmerkungen
Allgemeine Anmerkung:
Betrifft unter anderem Paul Klee (Seiten 75-80)
B412
Sprache, Schrift:
Englisch
ISBN:
9783030653422; hardcover
3030653420; hardcover
Klassifikationen
Klassifikation (Berner Bibliographie):
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2.10.3.2 Klee, Paul (1879-1940)
Code
Code Bibliographie:
bbg21
Identifikatoren
Systemnummer:
991170739101705501
Andere Systemnummer:
-
(OCoLC)1206224736
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(EXLNZ-41SLSP_NETWORK)991170739101705501
-
(41SLSP_UBE)99117483573705511