Tudor keyboard music, c. 1520-1580
Kurzformat
Tudor keyboard music, c. 1520-1580 / transcribed and ed. by John Caldwell - London , 1995
XXXIX, 199 S. : 34 cm
-
Basel, UB, UBH kk VIII 375:66
-
Zürich, ZB, Musikwissenschaftliches Institut der UZH, MP 1 MB 66
-
Zürich, ZB, Musikabteilung, Mus 1486: 66
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245 | 0 | 0 | |a Tudor keyboard music, c. 1520-1580 |c transcribed and ed. by John Caldwell |
264 | 1 | |a London |b Stainer and Bell |c 1995 | |
300 | |a XXXIX, 199 S. |c 34 cm | ||
336 | |b ntm |2 rdacontent | ||
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348 | |a Partitur |2 gnd-music | ||
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490 | 1 | |a Musica Britannica |v 66 | |
500 | |a Contents: A. Liturgical and other plainsong settings -- B. Freely composed pieces in contrapuntal style -- C. Dances, grounds, and settings of secular tunes -- D. Intabulations from vocal models -- Appendix I. Fragmentary works -- Appendix II. Related works not for keyboard -- Appendix III. Reconstructions of original works -- Appendix IV. Plainsongs used as cantus firmi. | ||
505 | 0 | 0 | |g A, Liturgical and other plainsong settings |t Alleluia: Per te Dei genitrix |r Anon. |t Alleluia: Per te Dei genitrix |r Thomas Tallis |t Aurora lucis rutilat |r Anon |t Felix namque I, II |r Thomas Tallis |t In nomine |r John Taverner |t Gloria tibi trinitas; ij parts on a rownd tyme |r Thomas Tallis |t In nomine I, II |r Nicholas Strowgers |t In nomine I, II |r Alwood |t In nomine |r Anon |t In nomine |r Robert Parsons, set Anon. |t In nomine |r William Byrd, set Anon |t Ut re mi fa soul la |r Whight |r Upon ut re my fa soul la ij longe |r Nicholas Strowgers |
505 | 0 | 0 | |g B, Freely composed pieces in contrapuntal style |t [no title] |r Anon., John Whit, John Ambrose |t 3 parts |r John Blitheman Fantasia |r Nicholas Strowgers |t <<A>> fancy |r Alfonso Ferrabosco I |
505 | 0 | 0 | |g C, Dances, grounds, and settings of secular tunes |t Non expecto, Non exspextat, The trowmppettus |r Anon. |t <<A>> ground |r John Alcetur |t <<A>> hornpype |t Hugh Aston |t My lady Careys dompe, The short mesure off my lady Wynkfylds rownde, The empororse pavyn, A galyarde, The kynges pavyn, The crocke, The kynges maske, A galyard, Uppon la mi re |r Anon |t Hugh Ashtons maske |r Hugh Ashton? |t Galyard, [no title], Wakefild on a greene, A ground |r Anon. |
505 | 0 | 0 | |g D, Intabulations from vocal models |t Apre de vowse (Auprès de vous), Dum vincella (Dont vient cela) |r Claudin de Sermisy |t De retourne, [no title] |r Anon |t Grace and vertew (Grace, vertu) |r Roquelay |t Fortune unkynde, Myne cuckes co, A litell god fayth, La bell fyne |r Anon. |t Madona (Madonna, somm' acorto) |r Philippe Verdelot |t Doulce est la mort, Amor me poynte (Amour me poingt et si je me veulx plaindre), Fayre lady might ye (Une jeune moyne) |r Philip van Wilder |t O death rock me aslepe, Attend my people (If car do cause men cry), Remember well, 81 psalme (Be light and glad), I hard one cry, A voice Jesu, The hapie life |r Anon |t Vaine all your lyfe |r John Sheppard |t In fields abrode |r William Byrd |t Dont vient cela, Tant que vivray |r Claudin de Sermisy |t Amis, soufrés |r Anon |t Si mon Travel, Léa volunté |r Pierre Sandrin |t C'est a grand tort |r Claudin de Sermisy |t <<The>> God of peace and love |t When shall my sorofull sighthyng slak |r Thomas Tallis |t Je file |r Philip van Wilder |
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Basisinformationen
Signatur:
-
Basel, UB, UBH kk VIII 375:66
-
Zürich, ZB, Musikwissenschaftliches Institut der UZH, MP 1 MB 66
-
Zürich, ZB, Musikabteilung, Mus 1486: 66
Ressourcentyp:
Partitur
Titel:
Tudor keyboard music, c. 1520-1580 / transcribed and ed. by John Caldwell
Erscheinungsangaben:
London, Stainer and Bell, 1995
Physische Beschreibung:
-
XXXIX, 199 S.; 34 cm
Serie:
Musica Britannica; 66
Inhalt und innere Ordnung
Inhalt:
-
A, Liturgical and other plainsong settings / Alleluia: Per te Dei genitrix / Anon.
-
Alleluia: Per te Dei genitrix / Thomas Tallis
-
Aurora lucis rutilat / Anon
-
Felix namque I, II / Thomas Tallis
-
In nomine / John Taverner
-
Gloria tibi trinitas; ij parts on a rownd tyme / Thomas Tallis
-
In nomine I, II / Nicholas Strowgers
-
In nomine I, II / Alwood
-
In nomine / Anon
-
In nomine / Robert Parsons, set Anon.
-
In nomine / William Byrd, set Anon
-
Ut re mi fa soul la / Whight
-
Upon ut re my fa soul la ij longe
-
Nicholas Strowgers
-
B, Freely composed pieces in contrapuntal style / [no title] / Anon., John Whit, John Ambrose
-
3 parts / John Blitheman Fantasia
-
Nicholas Strowgers
-
A fancy / Alfonso Ferrabosco I
-
C, Dances, grounds, and settings of secular tunes / Non expecto, Non exspextat, The trowmppettus / Anon.
-
A ground / John Alcetur
-
A hornpype
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Hugh Aston
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My lady Careys dompe, The short mesure off my lady Wynkfylds rownde, The empororse pavyn, A galyarde, The kynges pavyn, The crocke, The kynges maske, A galyard, Uppon la mi re / Anon
-
Hugh Ashtons maske / Hugh Ashton?
-
Galyard, [no title], Wakefild on a greene, A ground / Anon.
-
D, Intabulations from vocal models / Apre de vowse (Auprès de vous), Dum vincella (Dont vient cela) / Claudin de Sermisy
-
De retourne, [no title] / Anon
-
Grace and vertew (Grace, vertu) / Roquelay
-
Fortune unkynde, Myne cuckes co, A litell god fayth, La bell fyne / Anon.
-
Madona (Madonna, somm' acorto) / Philippe Verdelot
-
Doulce est la mort, Amor me poynte (Amour me poingt et si je me veulx plaindre), Fayre lady might ye (Une jeune moyne) / Philip van Wilder
-
O death rock me aslepe, Attend my people (If car do cause men cry), Remember well, 81 psalme (Be light and glad), I hard one cry, A voice Jesu, The hapie life / Anon
-
Vaine all your lyfe / John Sheppard
-
In fields abrode / William Byrd
-
Dont vient cela, Tant que vivray / Claudin de Sermisy
-
Amis, soufrés / Anon
-
Si mon Travel, Léa volunté / Pierre Sandrin
-
C'est a grand tort / Claudin de Sermisy
-
The God of peace and love
-
When shall my sorofull sighthyng slak / Thomas Tallis
-
Je file / Philip van Wilder
Anmerkungen
Allgemeine Anmerkung:
Contents: A. Liturgical and other plainsong settings -- B. Freely composed pieces in contrapuntal style -- C. Dances, grounds, and settings of secular tunes -- D. Intabulations from vocal models -- Appendix I. Fragmentary works -- Appendix II. Related works not for keyboard -- Appendix III. Reconstructions of original works -- Appendix IV. Plainsongs used as cantus firmi.
Sprache, Schrift:
Kein sprachlicher Inhalt
ISBN:
0852498233
Identifikatoren
Systemnummer:
991118209549705501
Andere Systemnummer:
-
(swissbib)232433860-41slsp_network
-
232433860
-
(IDSBB)001115165DSV01
-
(NEBIS)004143483EBI01
-
(EXLNZ-41SLSP_NETWORK)991118209549705501
-
(41SLSP_UZB)990041434830205508
-
(41SLSP_UBS)9911151650105504